‘There is a sense of the mystery in the everyday, the transformation of common materials as touchstones, common to both Christians and Buddhists, the Christian rosary, the small stones carried by pilgrims and left at holy sites, the Buddhist Mani stones and beads, and the relics and shards common to many faiths. That sense of heightened significance might be heard in the isolated percussive strikes that are crucial components in the identical theme statements that open and conclude the piece.’
– Stuart Broomer
Michael Moser cello, voice, objects
Werner Dafeldecker double bass, voice, objects
Burkhard Beins feedback microphone, voice, objects
Martin Brandlmayr vibraphone, voice, objects
Recorded in December 2022 by Sebastian Pracher at Spielzimmer, Bad Goisern, Austria
Side B
Aquin (Klaus Lang)
‘The sense of duration in the piece extends to the sense of historical time occupied by the music as well as the music’s gradual evolution. Even without the title suggestion, there’s a sense of just intonation arising in the pitches, a suggestion that the music’s medieval duration of tones extends to the later material’s hints at a spectral emphasis in the strings. Aquin’s invocation of the past, and an ancient ecclesiastical vision of socio-economic justice, echoes through to the contemporary circumstances of Embrace.’
– Stuart Broomer
Klaus Lang harmonium, flute
Michel Moser cello
Werner Dafeldecker double bass
Burkhard Beins percussion
Martin Brandlmayr percussion
Recorded live in November 2020 by Martin Leitner at ORF Sendesaal, Vienna, as part of the Festival Wien Modern
Mixed by Wolfgang Leitner
Mastered by Wolfgang Musil
Artwork by Teresa Iten
LP cover art by Michael Moser
supported by 8 fans who also own “Embrace 4: Orakelstücke/Aquin”
The uncertainty of the next moment and the perfect choice of expression, intensity and tension. This record is not only of historical value, it is the equivalent of seeing a phenomenon that has never been seen before. A fundamental thing. jiristepan
supported by 8 fans who also own “Embrace 4: Orakelstücke/Aquin”
Not your average free improv blow-out, this is lyrical, inventive & intelligent. Mellow and beautiful enough to appeal to a wide range of ears. The recording is fantastic with a lovely room ambience. Rory C